A collector tells a story, a story about objects and its activities. One of the greatest collectors I know about is architect John Soane and artist Donald Judd. Soane lived before my time, so I don't know so much about him except for his magnificent collection and museum in Lincoln´s Inn Fields. Judd was perhaps the most influential minimal artist of his time. Despite the familiarity of his work, it is often analyzed as an isolated object and not related to its context. I had the opportunity to met Judd in Marfa when I was there on my scholarship at Chinati Foundation. To study Judd´s collection and talk to him about the art of collection was a great experience and gave me an insight in the mind of a collector. Judd let me have full access to his hole collection. I lived with them for breakfast, lunch and dinner. Today, I still think about the great opportunity I had. To walk around in his buildings and to study his marvelous collection as much as I wanted.
Judd was a warm and generous person and made shore you had everything you needed. He came to visit me in my studio when I first arrived at the Chinati Foundation and asked if the table I was working on was to small. I was very happy with my original designed Judd 2 meter table so we moved onto another subject and I thought nothing more about it. The next day when I went to my studio I found Judd with his sketches, a carpenter and my new 5 meter table. Judd loved his large ocean like tables and one of his studios had 4 of these. Another one of his great collections and very practical. We took a trip to Mexico to collect an award he was given. After a fantastic award ceremony with the Major we walked around the town while Judd collected ideas and inspiration on Mexican architecture and a few bottles of tequila. Judd was a living collector of memorabilia for a lifetime. Even 20 years after his death everything he touched lives on. He was not only an artist, designer or architect but so much more. I was fortunate to meet Judd in Sweden and offered a scholarship to the Chinati Foundation in Marfa. To watch him build his dream of the Foundation, his home, buildings and ranches was an opportunity of a lifetime. I had access to a living unique man, his dreams, ideas, inspiration and collection while he was creating his Utopia. Now his footprint lives on forever and ever.
As an artist I have explored different ways of seeing and perceiving. I love collections and I hate them as much, specially museum collections that tells a sleepy story of objects of a certain quality that are just accepted into the collection. My art project "100 Days of Collection" tells about memory and objects visually experience over a period of time. Through out of this time I systematically seek and acquire objects for 100 days. Move them into a particular position to show how diversified and unique everything is. The collections are widely varied from small stones, to insect I have found inside my house. The project reveals an enormous variety of objects within each category common in our daily life. My interest lay more in investigating variations on categories rather than development toward a formal ideal, a critical attitude toward the heritage of museum collections detached from history.